Wednesday, February 11, 2015

the 39 Steps at HCPAC

2/11/2015

This past Sunday, my wife and I attended the matinee performance of the farcical adaptation of Hitchcock's "The 39 Steps".  We did not know what to expect beforehand.  However, when we noticed in the program that only four actors portrayed all the characters, we knew it had the potential to be fun.  It was.

To begin with-- the four actors:
John Smith plays Richard Hannay, Canadian spending some time in England so that he can become involved in intrigue.  Smith does an excellent job of balancing his role as straight-man with the farcical aspects of the production.  He plays the farce straight up with a twist.

Cassandra Schwantes manages three roles- Annabella (exotic murder victim), Margaret, and Pamela (romantic interest).  She differentiates the characters very well, giving each a life of their own.  He best is Pamela.

Listed in the program as "Clown1 and Clown2" we have T. Gordon Mayhall and Dustin Bartee.  They play everyone else- male and female- sometimes changing roles while still on stage to hilarious effect.  They are the police, the spies, the housekeeper, and the evil spymaster.  They are the innkeeper and his wife, the train employees, and on and on.  They are fun.

The staging was quite creative and the stage crew were absolutely awesome.  Let me name them: Gary McDonlad (coordinator), J Niswonger, Anita Joblin, Teri Kirksey, and Kyra Dawson.  These fine artists created, sometimes in full view of the audience, a wildly changing and amazing set of scenes.  They would slide furniture on from offstage such that the chair came to rest exactly behind the actor already in the motion of sitting down.  There was a riotous nod to "North by Northwest" done in silhouette that blew me away.

Last, and no means least, the director, Marcia Colbert.  Imaginative direction.  Collaborative staging (if the actors are to be believed).  She took on a tough script in a tough space with a small cast and crew.  But with creativity, vision, and obvious passion she turned out a great show.

I highly recommend this production.  It runs for three more shows (Sunday matinee of course).  Athens Little Theater at Henderson County Performing Arts Center is in the black box theater just off Hwy 19 south in Athens, Texas at 400 Gibson Road.  Phone (903) 675-3908

For goodness sake, GO SEE IT!!


Tuesday, January 20, 2015

January Auditions in Palestine, Texas

OPEN AUDITIONS for PALESTINE COMMUNITY THEATRE's:

Love, Sex, and the IRS      (don't let the title throw you)
by Billy Van Zandt and Jane Milmore

at the Historic Texas Theater
213 W Crawford St, Palestine, Texas
Directed by Jim Vincill

Saturday  January 24, 2015  @ 10:00 AM

Synopsis:
Jon Trachtman and Leslie Arthur are out of work musicians who room together in New York City.  To save money, Jon has been filing tax returns listing the pair as husband and wife.  The day of reckoning comes when the IRS informs the "couple" they're going to be investigated.  Leslie masquerades as a housewife, aided by Jon's fiancee Kate.  Complicating matters further, Leslie and Kate are having an affair behind Jon's back.  Jon's mother drops in unexpectedly to meet her son's fiancee and Leslie's ex-girlfriend shows up demanding to know why Leslie has changed and won't see her anymore.  Like a cross between I Love Lucy and Some Like it Hot!

5 men and 3 women

Leslie Arthur------------musician and Jon's roommate
Jon Trachtman----------musician and Leslie's roommate
Mr. Jansen---------------the Landlord
Floyd Spinner-----------IRS agent
Arnold Grunoin---------Shady character

Kate Dennis-------------the girlfriend
Connie--------------------Leslie's ex-girlfriend
Vivian Trachtman------Jon's mother

Cave Diving and the Arts

January 2015

Very serious topic even though the title is a little trifling. Courage in the Arts community. 

APEX Theater in Tyler recently was evicted from their digs because they had begun rehearsals on a 100+ year old show that dealt with oppression of sexuality, youth, and consequences.  The show, Spring Awakening, "criticizes the sexually-oppressive culture of 19th century Germany [and today] and offers a vivid dramatization of the erotic fantasies that it breeds.  Due to the controversial subject matter- puberty, sexuality, rape, child abuse, homosexuality, suicide, and abortion- the play has often been banned, altered, or censored."- Wikipedia  Part of its controversial nature is the sometimes very graphic nature of the acts portrayed along with the nudity of the actors playing minors.  It takes a lot of courage to attempt this play in the middle of the Bible belt.  But courage alone doesn't make it right.

I support courageous theatre.  Plays that push the comfort zones of patrons to make a social or political point, or to challenge norms can be the only way to get serious conversations going.  If you never push, your schedule becomes near pandering only.  Financially safe.  Socially safe. But not brave.  However, you have to be able to produce the show to push the limits.  People have to come see the action on the boards to feel excited, challenged, angry, enthralled, hopeful, joyous, or whatever the point of the show is.  Here is where wisdom comes into play...along with balance and community sensitivity.  One must always keep a weather eye on the climate in which the play is being produced.

A small group heard about the play and put pressure on to stop the show.  News media, smelling a scandal, took up the small story and blew it up as large as they could.  Other outlets took up the story making it hard for "community leaders" to ignore the tempest in a teapot turned full on media gale.  The storm threatened not just the play but the ship that carried it, APEX.  They caved.  The city caved...the theater caved... and the media and the vocal minority relished the collapses.  In the end, a city government official who happened to be the landlord of the theater decided to evict the thespians.   They have since decided to build their own theater where at least that threat is gone.

It is always a hard experience...rejection. You have re-examine your actions and motives, their actions and motives, and the path where it all led.  When do you "cave in" to community groups and standards?  When do you stand your ground?  When are your decisions courageous, and when are they hubris?  No one can answer that for you.  You must decide that for yourself.